I went to the Gemaldegalerie in Berlin in June last year, before the start of a study tour of German media institutions, to see its pair of Vermeers. (Part of my bucket list.) Along the way, other works of art caught my eye — including these two profiles of “jungen Frau,” done in the 15th century. They seem to me to be very much a part of their time, and at the same time thoroughly modern, of our time. The first looks familiar because it is by Botticelli; that is to say, it reminds us of Botticelli’s women, but because it is in profile we are not certain at first. The second is by one of Botticelli’s masters, Antonio del Pollaiuolo; we stare at it because we think it looks like someone we know (the actress Gwyneth Paltrow, perhaps, stepping back in time); only later do we realize that we were staring because it — she — was beautiful.